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      <image:caption>Raoul Hausmann, ABCD, 1923/24, Musée national d‘art moderne, Centre Georges Pompidou, Paris © VG Bild-Kunst, Bonn 2025, Repro: © bpk/CNAC-MNAM</image:caption>
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      <image:caption>Robert Sennecke, Ohne Titel (Raoul Hausmann und Hannah Höch auf der Ersten Internationalen Dada-Messe), 1920 © Urheber*innenrechte am Werk erloschen, Repro: © Berlinische Galerie/Anja Elisabeth Witte</image:caption>
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      <image:title>kunstund.blog - Raoul Hausmann (1886-1971) - Mach es besonders</image:title>
      <image:caption>Raoul Hausmann, Ohne Titel (Auge im Vergrößerungsspiegel), Februar 1931 © VG Bild-Kunst, Bonn 2025, Repro: © Berlinische Galerie/Anja Elisabeth Witte</image:caption>
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      <image:caption>Raoul Hausmann, Dada Raoul, 1951, MACHV – Château de Rochechouart © VG Bild-Kunst, Bonn 2025, Repro: © MACHV – Château de Rochechouart und Berlinische Galerie/Anja Elisabeth Witte</image:caption>
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      <image:caption>Raoul Hausmann, Opossum, 1963, MACHV – Château de Rochechouart, © VG Bild-Kunst, Bonn 2025, Repro: © MACHV – Château de Rochechouart und Berlinische Galerie/Anja Elisabeth Witte</image:caption>
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    <lastmod>2026-03-03</lastmod>
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      <image:caption>Michaelina Wautier, Zwei Mädchen als heilige Agnes und heilige Dorothea, um 1655, Königliches Museum für Schöne Künste Antwerpen Foto: Rik Klein Gotink</image:caption>
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      <image:caption>Mädchenfest der Agendagruppe mit Favoriten Live auf der 1. Mädchenbühne am Wiener Reumannplatz, Herbst 2022 Foto: Favoriten Live</image:caption>
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    <lastmod>2026-02-10</lastmod>
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      <image:caption>Marina Perez Simão mit Bakhtiyar Babamuradov, Untitled, 2024–2025, Ausstellungsansicht Recipes for Broken Hearts, Buchara 2025 Foto: Bukhara Biennial</image:caption>
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      <image:title>kunstund.blog - Recipes for Broken Hearts - Mach es besonders</image:title>
      <image:caption>Subodh Gupta mit Baxtiyor Nazirov, Salt Carried by the Wind, 2024–2025, Ausstellungsansicht Recipes for Broken Hearts, Magoki Attori Square vor der Karawanserei, Buchara 2025 Foto: Bukhara Biennial</image:caption>
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      <image:caption>Khoja-Kalon-Moschee, Ausstellungsansicht Recipes for Broken Hearts, Buchara 2025. Von oben nach unten: Delcy Morelos und Baxtiyor Akhmedov La Sombra Terrestre (The Earth’s Shadow), 2024–2025, Antony Gormley und Temur Jumaev, Close, 2024–2025 Foto: Bukhara Biennial</image:caption>
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      <image:title>kunstund.blog - Recipes for Broken Hearts - Mach es besonders</image:title>
      <image:caption>Ausstellungsansicht Recipes for Broken Hearts, Buchara 2025. Hinten: Delcy Morelos mit Baxtiyor Akhmedov La Sombra Terrestre (The Earth’s Shadow), 2024–2025. Vorne: Antony Gormley mit Temur Jumaev, Close, 2024–2025 Foto: Bukhara Biennial</image:caption>
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      <image:title>kunstund.blog - Recipes for Broken Hearts - Mach es besonders</image:title>
      <image:caption>Jazgul Madazimova mit den Frauen von Buchara, A Thousand Prayers, 2025, am Magoki Attori Square, Ausstellungsansicht Recipes for Broken Hearts, Buchara 2025 Foto: Hildegund Amanshauser</image:caption>
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      <image:title>kunstund.blog - Recipes for Broken Hearts - Mach es besonders</image:title>
      <image:caption>Vahap Avşar mit Firuz Shamsiyev (in Kooperation mit den Bienenzüchtern aus der Umgebung von Buchara), Swarm Works, 2024–2025, Performance, 18.11.2025 Foto: Hildegund Amanshauser</image:caption>
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      <image:title>kunstund.blog - Recipes for Broken Hearts - Mach es besonders</image:title>
      <image:caption>Hylozoic/Desires (Himali Singh Soin und David Soin Tappeser) in Kooperation mit Rasuljon Mirzaahmedov (Margilan Crafts Development Centre), Longing, 2024–2025 Foto: Bukhara Biennial</image:caption>
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    <lastmod>2026-01-17</lastmod>
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      <image:title>kunstund.blog - Marie Antoinette Style - Mach es besonders</image:title>
      <image:caption>Installationsansicht Marie Antoinette Style, Victoria and Albert Museum, London   © Victoria and Albert Museum, London</image:caption>
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      <image:title>kunstund.blog - Marie Antoinette Style - Mach es besonders</image:title>
      <image:caption>Installationsansicht Marie Antoinette Style mit dem „grand habit“ von Hedwig Elisabeth Charlotte von Schleswig-Holstein-Gottorf, 1774, Victoria and Albert Museum, London  © Victoria and Albert Museum, London</image:caption>
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      <image:title>kunstund.blog - Marie Antoinette Style - Mach es besonders</image:title>
      <image:caption>Installationsansicht Marie Antoinette Style mit einer Kopie des Schmucks, der die Halsbandaffäre auslöste, Victoria and Albert Museum, London   © Victoria and Albert Museum, London</image:caption>
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    <lastmod>2025-12-08</lastmod>
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      <image:title>kunstund.blog - Ashley Hans Scheirl - Mach es besonders</image:title>
      <image:caption>Ashley Hans Scheirl, Neoliberal Surrealist, 2019 Foto: Johannes Stoll, Belvedere, Wien © Ashley Hans Scheirl</image:caption>
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      <image:title>kunstund.blog - Ashley Hans Scheirl - Mach es besonders</image:title>
      <image:caption>Ausstellungsansicht Ashley Hans Scheirl. In &amp; Out of Painting*, Belvedere 21, Wien 2025 Foto: Johannes Stoll, Belvedere, Wien</image:caption>
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      <image:title>kunstund.blog - Ashley Hans Scheirl - Mach es besonders</image:title>
      <image:caption>Ashley Hans Scheirl in der Ausstellung Ashley Hans Scheirl. In &amp; Out of Painting*, Belvedere 21, Wien 2025 Foto: eSeL.at - Lorenz Seidler</image:caption>
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      <image:caption>Ausstellungsansicht Ashley Hans Scheirl. In &amp; Out of Painting*, Belvedere 21, Wien 2025 Foto: Johannes Stoll, Belvedere, Wien</image:caption>
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    <lastmod>2025-10-02</lastmod>
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      <image:title>kunstund.blog - Cäcilia Brown - Mach es besonders</image:title>
      <image:caption>Foto: Johann Schoiswohl, 2017</image:caption>
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      <image:title>kunstund.blog - Cäcilia Brown - Mach es besonders</image:title>
      <image:caption>Lieber Nebel, Haltung bewahren &amp; Lauter Spanner vorm Fenster, Musterfliese Mondgesicht, Baumhaus, 2019, Ausstellungsansicht Galerie Nicolas Krupp, Basel, 2019 Foto: Serge Hasenboehler</image:caption>
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      <image:title>kunstund.blog - Cäcilia Brown - Mach es besonders</image:title>
      <image:caption>Der Altmieter, 2018, Ausstellungsansicht Es gibt Ecken aus denen kommt man nicht mehr raus, Galerie Senn, Wien, 2018 Foto: Iris Ratzinger</image:caption>
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      <image:title>kunstund.blog - Cäcilia Brown - Mach es besonders</image:title>
      <image:caption>Modell: Käfer Amulett, 2025, Ausstellungsansicht Vom Heimweh befallen, träumt sie von Gehsteigen, Kunstraum Remise, Bludenz, 2025 Foto: Christa Engstler</image:caption>
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      <image:title>kunstund.blog - Cäcilia Brown - Mach es besonders</image:title>
      <image:caption>Landstreicherinnen, „Die Behörde“, 2021, aus der Serie Leichte Mädchen, Ausstellungsansicht Landstreicherinnen, E-Werk Freiburg, 2021 Foto: Marc Doradzillo</image:caption>
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      <image:title>kunstund.blog - Cäcilia Brown - Mach es besonders</image:title>
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      <image:title>kunstund.blog - Cäcilia Brown - Mach es besonders</image:title>
      <image:caption>Drehfoyer, 2014, Wir sind doch keine Räuber, wir sind ja nicht einmal Diebe, Galerie Senn, Wien, 2014 Courtesy: Cäcilia Brown</image:caption>
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    <lastmod>2025-10-13</lastmod>
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      <image:title>kunstund.blog - On Influence - Mach es besonders</image:title>
      <image:caption>Ariane Mueller. Fish are folded into the sea just as the sea is folded into fish, Ausstellungsansicht Secession 2025 Foto: Oliver Ottenschläger</image:caption>
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      <image:title>kunstund.blog - On Influence - Mach es besonders</image:title>
      <image:caption>Ariane Mueller. Fish are folded into the sea just as the sea is folded into fish, Ausstellungsansicht Secession 2025 Foto: Oliver Ottenschläger</image:caption>
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      <image:title>kunstund.blog - On Influence - Mach es besonders</image:title>
      <image:caption>Lucy McKenzie, Duchamp Mannequin (1938), 2025 und Monumental Street Lamp mit Duchamp Mannequin Sketches, 2017-2024, Ausstellungsansicht Lucy McKenzie, Orchestrion, fjk3 - Raum für zeitgenössische Kunst 2025 Foto: Lisa Rastl</image:caption>
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      <image:title>kunstund.blog - On Influence - Mach es besonders</image:title>
      <image:caption>Lucie McKenzie, Mural Proposal for Jeffrey Epstein’s New York Townhouse (Filming of American Psycho), 2024 (im Hintergrund Karussellorgel (Orchestrion), 1931/32, Wien Museum), Ausstellungsansicht Lucy McKenzie, Orchestrion, fjk3 - Raum für zeitgenössische Kunst 2025 Foto: Lisa Rastl, Courtesy (Wandmalerei): Cabinet Gallery, London</image:caption>
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      <image:caption>James Richards, Negative Hands, 2024, Ausstellungsansicht James Richards. Fevers, Grazer Kunstverein 2025 Courtesy of the artist, Galerie Isabella Bortolozzi, Berlin, Sylvia Kouvali, Piraeus/London und Grazer Kunstverein, Foto: kunst-dokumentation.com</image:caption>
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    <lastmod>2025-07-23</lastmod>
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    <lastmod>2025-07-02</lastmod>
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    <lastmod>2025-06-05</lastmod>
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    <lastmod>2025-05-08</lastmod>
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      <image:caption>Ausstellungsansicht Radical Software: Women, Art &amp; Computing 1960–1991 mit Charlotte Johannesson, Untitled, 1981–85, Kunsthalle Wien 2025, Courtesy der Künstlerin, Hollybush Gardens, London, und Croy Nielsen, Wien, Foto: kunst-dokumentation.com</image:caption>
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      <image:caption>Ausstellungsansicht Radical Software: Women, Art &amp; Computing 1960–1991, v. l. n. r.: Ulla Wiggen, Oändligt variabel, 1968, T&amp;C Sammlung; Deborah Remington, Merthyr, 1966, Centre national des arts plastiques (Frankreich); Miriam Schapiro, The Palace at 3:00 AM or Meander, 1971, Courtesy der Künstlerin und Eric Firestone Gallery; Sonya Rapoport, Shoe-Field installation, 1983–89, Courtesy Nachlass von Sonya Rapoport, Kunsthalle Wien 2025, Foto: kunst-dokumentation.com, © Bildrecht, Wien 2025</image:caption>
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      <image:caption>Katalogcover Ri-Materializzazione del Linguaggio / Re-Materialisierung der Sprache. 1978-2022, herausgegeben von Cristiana Perrella, Andrea Viliani mit Vittoria Pavesi, NERO Editions 2024</image:caption>
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    <lastmod>2025-04-11</lastmod>
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      <image:caption>Rosemarie Trockel / Thea Djordjadze, Lob der Langeweile, Detail, 2008 © VG Bild-Kunst, Bonn 2024, Courtesy the artists and Sprüth Magers, Foto: Timo Ohler</image:caption>
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      <image:caption>Rosemarie Trockel / Thea Djordjadze, A Ship So Big, A Bridge Cringes, Detail, 2007 © VG Bild-Kunst, Bonn 2024, Courtesy the artists and Sprüth Magers, Foto: Ernst Jank</image:caption>
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      <image:caption>Rosemarie Trockel / Thea Djordjadze, Portion of a loan, 2017, Ausstellungsansicht limitation of life, Lenbachhaus München 2024 Foto: Lukas Schramm, Lenbachhaus</image:caption>
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      <image:caption>Rosemarie Trockel / Thea Djordjadze, Ausstellungsansicht limitation of life, Lenbachhaus München 2024 Foto: Lukas Schramm, Lenbachhaus</image:caption>
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    <priority>0.5</priority>
    <lastmod>2025-06-03</lastmod>
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      <image:caption>Christine Kozlov, Information: No Theory, 1970, Ausstellungsansicht Christine Kozlov, American Academy of Arts and Letters, New York, 2024/2025 Foto: Charles Benton, © Christine Kozlov Estate</image:caption>
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      <image:caption>Christine Kozlov, Statement zu Information: No Theory, 1970, Ausstellungsansicht Christine Kozlov, American Academy of Arts and Letters, New York, 2024/2025 Foto: Charles Benton, © Christine Kozlov Estate</image:caption>
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      <image:caption>Christine Kozlov, Sound Structure No. 5, 1965, Ausstellungsansicht Christine Kozlov, American Academy of Arts and Letters, New York, 2024/2025 Foto: Carter Seddon, © Christine Kozlov Estate</image:caption>
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      <image:caption>Christine Kozlov, Information Drift, 1968, Ausstellungsansicht Christine Kozlov, American Academy of Arts and Letters, New York, 2024/2025 Foto: Charles Benton, © Christine Kozlov Estate</image:caption>
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      <image:caption>Christine Kozlov, A Mostly Painting (Red), 1969, Ausstellungsansicht Christine Kozlov, American Academy of Arts and Letters, New York, 2024/2025 Foto: Carter Seddon, © Christine Kozlov Estate</image:caption>
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    <priority>0.5</priority>
    <lastmod>2024-12-22</lastmod>
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      <image:caption>Ed van der Elsken, Dylaby, Raum von Daniel Spoerri, Stedelijk Museum, Amsterdam 1962, © Ed van der Elsken / Nederlands Fotomuseum</image:caption>
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    <lastmod>2024-06-25</lastmod>
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    <lastmod>2024-05-02</lastmod>
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    <lastmod>2024-05-02</lastmod>
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    <lastmod>2024-04-16</lastmod>
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    <lastmod>2024-01-08</lastmod>
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    <lastmod>2023-11-11</lastmod>
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      <image:caption>Ulrike Grossarth, Der Wald von Lublin, 2017, aus: Anja Casser / Badischer Kunstverein (Hg.), Ulrike Grossarth. Die Schule von Lublin, München 2023</image:caption>
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      <image:caption>Ulrike Grossarth, gibt es ein grau glühend?…, Ausstellungsansicht Badischer Kunstverein Karlsruhe, 2022 Foto: Stephan Baumann, bild_raum</image:caption>
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    <lastmod>2023-11-09</lastmod>
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      <image:title>kunstund.blog - Performing 89 - Mach es besonders</image:title>
      <image:caption>Ausstellungsansicht Performing 89. States of Disillusion, FABER, Timisoara 2023 Courtesy: Institute of the Present, Foto: Serioja Bocsok</image:caption>
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      <image:title>kunstund.blog - Performing 89 - Mach es besonders</image:title>
      <image:caption>Róza El-Hassan, Secured Space Retouched, 1994, Ausstellungsansicht Performing 89. States of Disillusion, FABER, Timisoara 2023 Courtesy: Institute of the Present, Foto: Serioja Bocsok</image:caption>
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      <image:title>kunstund.blog - Performing 89 - Mach es besonders</image:title>
      <image:caption>Csaba Nemes, Raised Horizon, 1992, Ausstellungsansicht Performing 89. States of Disillusion, FABER, Timisoara 2023 Courtesy: Institute of the Present, Foto: Serioja Bocsok</image:caption>
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      <image:title>kunstund.blog - Performing 89 - Mach es besonders</image:title>
      <image:caption>Balázs Beöthy, Six Months, 1995, Ausstellungsansicht Performing 89. States of Disillusion, FABER, Timisoara 2023 Courtesy: Institute of the Present, Foto: Serioja Bocsok</image:caption>
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      <image:title>kunstund.blog - Performing 89 - Mach es besonders</image:title>
      <image:caption>Lia Perjovschi, Contemporary Art Archive (CAA), seit 1985, Ausstellungsansicht Performing 89. States of Disillusion, FABER, Timisoara 2023 Courtesy: Institute of the Present, Foto: Serioja Bocsok</image:caption>
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      <image:caption>ŠKART, Sadness, 1992/93,  Ausstellungsansicht Performing 89. States of Disillusion, FABER, Timisoara 2023 Courtesy: Institute of the Present, Foto: Serioja Bocsok</image:caption>
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    <lastmod>2023-11-09</lastmod>
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      <image:caption>Goshka Macuga, The Fable of the Wolf, the Polar Bear, the Reindeer and the Cosmonaut, 2018, im Hintergrund, Natsuko Uchino, Dwellings, 2023 im Vordergrund, Ausstellungsansicht EVA International, Limerick 2023 Courtesy: EVA International</image:caption>
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      <image:caption>Natsuko Uchino, Dwellings, 2023, im Vordergrund, Ausstellungsansicht EVA International, Limerick 2023 Courtesy: EVA International</image:caption>
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      <image:caption>Frank Sweeney, Few Can See, 2023 (Installation von Michelle Malone) Ausstellungsansicht EVA International, Limerick 2023 Courtesy: EVA International</image:caption>
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      <image:caption>Navine G. Dossos, The Grove, 2003, Ausstellungsansicht EVA International, Limerick 2023 Courtesy: EVA International</image:caption>
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      <image:caption>Kian Benson Bailes, Cailleach boy, 2023, Ausstellungsansicht in der St. Mary’s Cathedral, EVA International, Limerick 2023 Courtesy: EVA International</image:caption>
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    <lastmod>2023-11-09</lastmod>
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      <image:caption>documenta 15 im Nebel Foto: Stefanie von Schroeter</image:caption>
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    <lastmod>2023-11-09</lastmod>
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      <image:caption>Maria Bartuszova, Ausstellungsansicht Museum der Moderne Salzburg 2023 © Museum der Moderne Salzburg, Foto: Rainer Iglar</image:caption>
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    <lastmod>2023-08-25</lastmod>
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      <image:title>kunstund.blog - Rosemarie Trockel - Mach es besonders</image:title>
      <image:caption>Rosemarie Trockel, Miss Wanderlust, 2000, Ausstellungsansicht Rosemarie Trockel, MMK Frankfurt 2022/23 © The artist &amp; VG Bild-Kunst, Bonn 2022, Foto: Frank Sperling</image:caption>
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      <image:title>kunstund.blog - Rosemarie Trockel - Mach es besonders</image:title>
      <image:caption>Rosemarie Trockel, Copy Me, 2013, Ausstellungsansicht Rosemarie Trockel, MMK Frankfurt 2022/23 © The artist &amp; VG Bild-Kunst, Bonn 2022, Foto: Axel Schneider</image:caption>
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      <image:title>kunstund.blog - Rosemarie Trockel - Mach es besonders</image:title>
      <image:caption>Rosemarie Trockel, Notre-Dame, 2022, Ausstellungsansicht Rosemarie Trockel, MMK Frankfurt 2022/23 © The artist &amp; VG Bild-Kunst, Bonn 2022, Foto: Frank Sperling</image:caption>
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      <image:caption>Rosemarie Trockel, Notre-Dame, 2022, Ausstellungsansicht Rosemarie Trockel, MMK Frankfurt 2022/23 © The artist &amp; VG Bild-Kunst, Bonn 2022, Foto: Frank Sperling</image:caption>
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      <image:caption>Rosemarie Trockel, Continental Divide, 1994, Filmstill © The artist &amp; VG Bild-Kunst, Bonn 2022</image:caption>
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    <lastmod>2023-08-25</lastmod>
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      <image:title>kunstund.blog - Geteilte Perspektiven auf Friedl Dicker-Brandeis - Mach es besonders</image:title>
      <image:caption>Ausstellungsansicht Atelier Bauhaus, Wien. Friedl Dicker und Franz Singer, Wien Museum MUSA 2022/23 Foto: TimTom</image:caption>
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      <image:caption>Friedl Dicker-Brandeis, Fürchtet den Tod nicht, 1932–33, Kunstsammlung und Archiv, Universität für angewandte Kunst  Reproduktion: Foto Leutner, Wien</image:caption>
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    <lastmod>2023-08-25</lastmod>
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      <image:caption>Michèle Pagel, Reisst die Hütte ab, Ausstellungsansicht Salzburger Kunstverein 2023 Foto: Andrew Phelps, © Salzburger Kunstverein</image:caption>
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      <image:caption>Michèle Pagel, Reisst die Hütte ab, Ausstellungsansicht Salzburger Kunstverein 2023 Foto: Andrew Phelps, © Salzburger Kunstverein</image:caption>
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      <image:caption>Michèle Pagel, Lantschern, Gatschen, Quilk, 2014, Salzburger Kunstverein 2023 Courtesy of the artist und Galerie MEYER*KAINER, Foto: Andrew Phelps, © Salzburger Kunstverein</image:caption>
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      <image:caption>Michèle Pagel, Wüstenrot oder: Planet B, 2023, Salzburger Kunstverein Courtesy of the artist und Galerie MEYER*KAINER, Salzburger Kunstverein 2023, Foto: Andrew Phelps, © Salzburger Kunstverein</image:caption>
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    <lastmod>2023-08-25</lastmod>
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      <image:title>kunstund.blog - Poetische Operationen - Mach es besonders</image:title>
      <image:caption>Ausstellungsansicht Ilse Garnier, a e i o u, Badischer Kunstverein Karlsruhe 2023 Foto: Bruno Kelzer</image:caption>
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      <image:title>kunstund.blog - Poetische Operationen - Mach es besonders</image:title>
      <image:caption>Mirella Bentivoglio, Serpe, 1973, Ausstellung Concrete Experience, Badischer Kunstverein Karlsruhe 2023 Courtesy: Gramma Epsilon Gallery, Athen</image:caption>
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      <image:title>kunstund.blog - Poetische Operationen - Mach es besonders</image:title>
      <image:caption>Greta Schödl, Codice femminile, 1966-2007, Ausstellungsansicht Ri-Materializzazione del Linguaggio. 1978-2022, Fondazione Antonio Dalle Nogare Bozen 2022/23 Foto: Susanne Neuburger</image:caption>
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      <image:title>kunstund.blog - Poetische Operationen - Mach es besonders</image:title>
      <image:caption>Mirella Bentivoglio, Società di massa, 1966, Privatsammlung Wien Foto: Simon Veres, Courtesy: Archivio Mirella Bentivoglio und Galerie Hubert Winter, Wien</image:caption>
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    <loc>https://www.kunstund.net/blog/monira-al-qadiri</loc>
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    <lastmod>2023-08-25</lastmod>
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      <image:title>kunstund.blog - Monira Al Qadiri - Mach es besonders</image:title>
      <image:caption>Monira Al Qadiri, Choreography of Alien Technology, 2023, Ausstellungsansicht Mutant Passages, Bregenz 2023 Foto: Markus Tretter, Courtesy of the artist und König Galerie, © Monira Al Qadiri, Kunsthaus Bregenz</image:caption>
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      <image:title>kunstund.blog - Monira Al Qadiri - Mach es besonders</image:title>
      <image:caption>Monira Al Qadiri, Benzene Float, 2023, produziert mit der Unterstützung von ICD Brookfield Place, Ausstellungsansicht Mutant Passages, Kunsthaus Bregenz 2023 Foto: Markus Tretter, Courtesy of the artist, © Monira Al Qadiri, Kunsthaus Bregenz</image:caption>
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      <image:title>kunstund.blog - Monira Al Qadiri - Mach es besonders</image:title>
      <image:caption>Monira Al Qadiri, Alien Technology (Tower), 2023, Ausstellungsansicht Mutant Passages, Bregenz 2023 Foto: Markus Tretter, Courtesy of the artist und König Galerie, © Monira Al Qadiri, Kunsthaus Bregenz</image:caption>
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      <image:title>kunstund.blog - Monira Al Qadiri - Mach es besonders</image:title>
      <image:caption>Monira Al Qadiri, Gastromancer, 2023, produziert mit der Unterstützung von Rossogranada AG, Zürich, Ausstellungsansicht Mutant Passages, Kunsthaus Bregenz 2023 Foto: Markus Tretter, Courtesy of the artist, © Monira Al Qadiri, Kunsthaus Bregenz</image:caption>
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    <lastmod>2023-08-25</lastmod>
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      <image:title>kunstund.blog - Georg Baselitz und Marcel Duchamp - Mach es besonders</image:title>
      <image:caption>Ausstellungsansicht Baselitz. Nackte Meister, KHM Wien 2023   Foto: © KHM-Museumsverband</image:caption>
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      <image:caption>Georg Baselitz, Im Walde von Blainville, 2000, Privatbesitz Foto: Jochen Littkemann, Berlin, Courtesy: KHM, © Georg Baselitz 2023</image:caption>
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      <image:caption>Georg Baselitz, Frisch verliebt – M. D., 1999, Künzelsau, Museum Würth Foto: Lothar Schnepf, Köln, Courtesy: KHM, © Georg Baselitz 2023</image:caption>
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      <image:title>kunstund.blog - Georg Baselitz und Marcel Duchamp - Mach es besonders</image:title>
      <image:caption>Ausstellungsansicht Baselitz. Nackte Meister, KHM Wien 2023   Foto: © KHM-Museumsverband</image:caption>
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    <lastmod>2023-08-25</lastmod>
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      <image:caption>Ausstellungsansicht Foto: Markus Wörgötter, Courtesy: Galerie nächst St. Stephan Rosemarie Schwarzwälder</image:caption>
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    <loc>https://www.kunstund.net/blog/olafur-panoni-dellbrck</loc>
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    <lastmod>2023-08-25</lastmod>
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      <image:title>kunstund.blog - OLAFUR panoni: dellbrück - Mach es besonders</image:title>
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      <image:caption>dellbrück2, 2023, 2-teilig Foto: Markus Wörgötter, Courtesy: Galerie nächst St. Stephan Rosemarie Schwarzwälder</image:caption>
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      <image:caption>Ausstellungsansicht, beim Fenster: Stange panoni, 2023 Foto: Markus Wörgötter, Courtesy: Galerie nächst St. Stephan Rosemarie Schwarzwälder</image:caption>
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    <lastmod>2023-08-25</lastmod>
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      <image:title>kunstund.blog - Sophie Thun - Mach es besonders</image:title>
      <image:caption>Foto: kunst-dokumentation.com, Courtesy: SOPHIE TAPPEINER</image:caption>
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      <image:caption>Sophie Thun, All Things in My Appartment Smaller Than 8 x 10’’, 2020, Ausstellungsansicht Merge Layers, SOPHIE TAPPEINER 2022 Foto: kunst-dokumentation.com, Courtesy: SOPHIE TAPPEINER</image:caption>
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  <url>
    <loc>https://www.kunstund.net/blog/anna-jermolaewa-number-two</loc>
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    <lastmod>2023-05-16</lastmod>
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      <image:caption>Anna Jermolaewa in ihrer Ausstellung Number Two, Schlossmuseum Linz, 2022/23 Foto: Michael Maritsch</image:caption>
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      <image:caption>Anna Jermolaewa, Doubles, 2021, Ausstellungsansicht Schlossmuseum Linz 2022/23 Foto: Michael Maritsch</image:caption>
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      <image:caption>Anna Jermolaewa, Both White (im Vordergrund), Number two (im Hintergrund), beide 2015/22, Ausstellungsansicht Schlossmuseum Linz 2022/23 Foto: Michael Maritsch</image:caption>
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    <lastmod>2023-05-16</lastmod>
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      <image:title>kunstund.blog - Zhanna Kadyrova und die Mission der Brote von Palianytsia - Mach es besonders</image:title>
      <image:caption>Zhanna Kadyrova, Palianytsia, 2022, Ausstellungsansicht Der Tod und das Mädchen, Kunstforum Wien 2022/23 Foto: Oak Taylor-Smith</image:caption>
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      <image:title>kunstund.blog - Zhanna Kadyrova und die Mission der Brote von Palianytsia - Mach es besonders</image:title>
      <image:caption>Zhanna Kadyrova, Palianytsia, 2022, Ausstellungsansicht Berezovo, 2022 Courtesy: Zhanna Kadyrova</image:caption>
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      <image:title>kunstund.blog - Zhanna Kadyrova und die Mission der Brote von Palianytsia - Mach es besonders</image:title>
      <image:caption>Zhanna Kadyrova, Palianytsia, 2022, Ausstellungsansicht Der Tod und das Mädchen, Kunstforum Wien 2022/23 Foto: Oak Taylor-Smith</image:caption>
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      <image:title>kunstund.blog - Zhanna Kadyrova und die Mission der Brote von Palianytsia - Mach es besonders</image:title>
      <image:caption>Zhanna Kadyrova, Anxiety, 2022, Ausstellungsansicht Der Tod und das Mädchen, Kunstforum Wien 2022/23 Foto: Oak Taylor-Smith</image:caption>
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      <image:title>kunstund.blog - Zhanna Kadyrova und die Mission der Brote von Palianytsia - Mach es besonders</image:title>
      <image:caption>Zhanna Kadyrova, aus der Serie Second hand, 2020, Installationsansicht Grössling-Bad, Bratislava, 2020 Courtesy: Zhanna Kadyrova</image:caption>
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  <url>
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    <priority>0.5</priority>
    <lastmod>2023-05-16</lastmod>
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      <image:caption>What, How &amp; for Whom/WHW, artistic directors Kunsthalle Wien (from left to right): Sabina Sabolović, Nataša Ilić und Ivet Ćurlin Photo: Katarina Šoškić</image:caption>
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      <image:caption>Marina Naprushkina, Jetzt! Alles für Alle!, 2019, installation view ... of bread, wine, cars, security and peace, Kunsthalle Wien, 2020 Photo: Kunsthalle Wien, Courtesy: the artist</image:caption>
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      <image:title>kunstund.blog - We stand fully behind our choice of artists, curators and topics - Mach es besonders</image:title>
      <image:caption>HC Playner, Turn a deaf ear to shoes for white people, 2017, Installation view ... of bread, wine, cars, security and peace, Kunsthalle Wien, 2020 Photo: Kunsthalle Wien, Courtesy: Burschenschaft Hysteria</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/630f21d24633822b1b1260c2/6864adad-a48d-4b91-90b7-748bb921a1f1/2021-05-26-kunsthalle-wien-press-00068.jpg</image:loc>
      <image:title>kunstund.blog - We stand fully behind our choice of artists, curators and topics - Mach es besonders</image:title>
      <image:caption>Installation view And if I devoted my life to one of its feathers? Kunsthalle Wien, 2021 Photo: www.kunst-dokumentation.com</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/630f21d24633822b1b1260c2/30f2aed6-c320-4133-ba52-ca5b061ecb17/bartolina-xixa-ramita-seca-la-coloniadad-permanente-2017.jpg</image:loc>
      <image:title>kunstund.blog - We stand fully behind our choice of artists, curators and topics - Mach es besonders</image:title>
      <image:caption>Bartolina Xixa, Ramita Seca, La Colonialidad Permanente [Trockener Zweig, Die permanente Kolonialität], 2019, Filmstill, exhibition And if I devoted my life to one of its feathers? Courtesy: Maximiliano Mamani/Bartolina Xixa</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/630f21d24633822b1b1260c2/cce2089f-adf8-4079-916d-694836c59367/nilbar-gures-breasts-by-rose-2020-high-res.jpg</image:loc>
      <image:title>kunstund.blog - We stand fully behind our choice of artists, curators and topics - Mach es besonders</image:title>
      <image:caption>Nilbar Güreş, Breasts by Rose, 2020, exhibition And if I devoted my life to one of its feathers? Photo: Reha Arcan, Courtesy: the artist and GALERIST, Istanbul</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/630f21d24633822b1b1260c2/970e4f94-b9d2-49ff-bbc0-13da3f9c5062/221109-kunsthalle-karlsplatz-mittag-1928.jpg</image:loc>
      <image:title>kunstund.blog - We stand fully behind our choice of artists, curators and topics - Mach es besonders</image:title>
      <image:caption>Installation view In the meantime, midday comes around, Kunsthalle Wien, 2022 Photo: Iris Ranzinger</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/630f21d24633822b1b1260c2/6f89beac-cc9c-4340-a2f2-9864ddfa859f/sanja-ivekovic-novi-zagreb-people-behind-the-windows-1979.jpg</image:loc>
      <image:title>kunstund.blog - We stand fully behind our choice of artists, curators and topics - Mach es besonders</image:title>
      <image:caption>Sanja Iveković, Novi Zagreb (Ljudi iza prozora) [New Zagreb (People behind the Windows)], 1979/2006 Courtesy: the artist</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/630f21d24633822b1b1260c2/f497989b-3477-4881-aadf-56f4323f38b0/x7a3827.jpg</image:loc>
      <image:title>kunstund.blog - We stand fully behind our choice of artists, curators and topics - Mach es besonders</image:title>
      <image:caption>Installation view Sanja Iveković. Works of Heart (1974–2022), Kunsthalle Wien, 2022 Photo: Boris Cvjetanović</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/630f21d24633822b1b1260c2/56cbd727-c46a-4cf1-b60f-ead9c2f59408/widerstaendige-musen-presse-003.jpg</image:loc>
      <image:title>kunstund.blog - We stand fully behind our choice of artists, curators and topics - Mach es besonders</image:title>
      <image:caption>Installation view Defiant Muses. Delphine Seyrig and the Feminist Video Collectives of 1970s and 1980s France, Kunsthalle Wien, 2022 Photo: Markus Wörgötter</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/630f21d24633822b1b1260c2/9572701b-9e16-4cea-8b36-6643e0c64b45/1_zelimir-zilnik_shadow-citizens-esel5356-scaled.jpg</image:loc>
      <image:title>kunstund.blog - We stand fully behind our choice of artists, curators and topics - Mach es besonders</image:title>
      <image:caption>Installation view Želimir Žilnik. Shadow Citizens, Kunsthalle Wien, 2020 Photo: © eSeL.at - Lorenz Seidler</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/630f21d24633822b1b1260c2/2e54823a-ca49-4ab4-bdbb-c72f73abf947/5_zelimir-zilnik_shadow-citizens-esel5396-scaled.jpg</image:loc>
      <image:title>kunstund.blog - We stand fully behind our choice of artists, curators and topics - Mach es besonders</image:title>
      <image:caption>Installation view, Želimir Žilnik. Shadow Citizens, Kunsthalle Wien, 2020 Photo: © eSeL.at - Lorenz Seidler</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kunstund.net/blog/die-umschlossene-intervention</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/630f21d24633822b1b1260c2/cdd0d130-61eb-41fd-aa22-a212e82c1b3a/Freud+Museum.jpg</image:loc>
      <image:title>kunstund.blog - Die umschlossene Intervention - Mach es besonders</image:title>
      <image:caption>Hermann Czech, Vitrine im Freud-Museum, Wien, 2020 Foto: Hertha Hurnaus</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/630f21d24633822b1b1260c2/51004b37-4db8-4b70-9143-3e6dc16ab532/Wien+1938+Axonometrie+Vitrinen.jpg</image:loc>
      <image:title>kunstund.blog - Die umschlossene Intervention - Mach es besonders</image:title>
      <image:caption>Hermann Czech, Entwürfe für Vitrinen, Wien 1938, Rathaus, Wien, 1988 Courtesy: Hermann Czech</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/630f21d24633822b1b1260c2/3d3c1722-7971-4588-a397-d16e9763247c/Wunderblock+32.jpg</image:loc>
      <image:title>kunstund.blog - Die umschlossene Intervention - Mach es besonders</image:title>
      <image:caption>Hermann Czech, Ausstellungsgestaltung Wunderblock. Eine Geschichte der modernen Seele, Reithalle Messepalast (heute Museumsquartier), 1989  Foto: Hermann Czech</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/630f21d24633822b1b1260c2/8706cef9-3f53-410b-87d3-08b5b9304286/Wien+1938+5.jpg</image:loc>
      <image:title>kunstund.blog - Die umschlossene Intervention - Mach es besonders</image:title>
      <image:caption>Hermann Czech, Ausstellungsgestaltung Wien 1938, Rathaus, Wien, 1988 Foto: Hermann Czech</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/630f21d24633822b1b1260c2/2cf5218e-49ac-4702-860b-8a13615e265a/herrenzimmer+freud+museum.jpg</image:loc>
      <image:title>kunstund.blog - Die umschlossene Intervention - Mach es besonders</image:title>
      <image:caption>Hermann Czech, Vitrine im Freud-Museum, Wien, 2020 Foto: Hertha Hurnaus</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kunstund.net/blog/elad-lapidot-ber-die-documenta-und-die-antisemitismus-debatte</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-01-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/630f21d24633822b1b1260c2/e216532e-f31e-4b63-98a3-fdc3630f3e46/Elad+Lapidot+.jpg</image:loc>
      <image:title>kunstund.blog - Elad Lapidot über die documenta und die Antisemitismus Debatte - Mach es besonders</image:title>
      <image:caption>Elad Lapidot, Foto: Ruthe Zuntz</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/630f21d24633822b1b1260c2/994a16a2-b103-4d3f-92fd-31396bed4833/elad+cover.jpg</image:loc>
      <image:title>kunstund.blog - Elad Lapidot über die documenta und die Antisemitismus Debatte - Mach es besonders</image:title>
      <image:caption>Was auch immer es ist – die Art und Weise, wie du deine Geschichte online vermittelst, kann einen gewaltigen Unterschied ausmachen.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/630f21d24633822b1b1260c2/fc0256be-8f99-45b3-82f8-bfe22534cdf9/IMG_1849.jpg</image:loc>
      <image:title>kunstund.blog - Elad Lapidot über die documenta und die Antisemitismus Debatte - Mach es besonders</image:title>
      <image:caption>Taring Padi, Pengungsi (Refugees), 1999, Installationsansicht Rondell, documenta 15, 2022 (am Rücken des schießenden Menschen Text “Humanism Universal") Foto: Amanshauser</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kunstund.net/blog/documenta-15-fr-alle</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-12-12</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/630f21d24633822b1b1260c2/31babf3a-5068-40f2-bee6-796518097661/raimarAthenshirt2+%282%29.jpg</image:loc>
      <image:title>kunstund.blog - Documenta 15 für Alle - Mach es besonders</image:title>
      <image:caption>Raimar Stange, Foto: Peter Niemann</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/630f21d24633822b1b1260c2/30269091-9d8d-4e59-993b-d50e7bedec12/IMG_1812.jpg</image:loc>
      <image:title>kunstund.blog - Documenta 15 für Alle - Mach es besonders</image:title>
      <image:caption>Britto Arts Trust, Chayachobi, Mural Project on Bangla Cinema, 2021/22, Installationsansicht, documenta Halle, documenta 15, 2022 Foto: Amanshauser</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/630f21d24633822b1b1260c2/684fb396-2704-41dc-8134-40a3e0370a25/IMG_1820.jpg</image:loc>
      <image:title>kunstund.blog - Documenta 15 für Alle - Mach es besonders</image:title>
      <image:caption>Taring Padi, Installationsansicht documenta 15, 2022, Hallenbad Ost Foto: Amanshauser</image:caption>
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      <image:title>kunstund.blog - Documenta 15 für Alle - Mach es besonders</image:title>
      <image:caption>Sandershaus, Installationsansicht, documenta 15, 2022 Foto: Amanshauser</image:caption>
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  </url>
  <url>
    <loc>https://www.kunstund.net/blog/being-faced-with-the-black-page</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-31</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/630f21d24633822b1b1260c2/10760364-61c6-4af0-b1a7-8e92cc8e1cdb/08_blackpages_gregortitze_web1.jpg</image:loc>
      <image:title>kunstund.blog - Being faced with „the black page” - Mach es besonders</image:title>
      <image:caption>BLACK PAGES 01–100, Ausstellungsansicht Franz Josefs Kai 3, Wien I. Raum für zeitgenössische Kunst, 2022 Foto: Gregor Titze</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/630f21d24633822b1b1260c2/2a717077-0789-413f-a793-185e05157b09/05_black+pages_gregor+titze_web.jpg</image:loc>
      <image:title>kunstund.blog - Being faced with „the black page” - Mach es besonders</image:title>
      <image:caption>BLACK PAGES 01–100, Ausstellungsansicht Franz Josefs Kai 3, Wien I. Raum für zeitgenössische Kunst, 2022 Foto: Gregor Titze</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/630f21d24633822b1b1260c2/1ba16713-213b-4030-9d8d-8fc70ce490c8/LAWRENCE.jpg</image:loc>
      <image:title>kunstund.blog - Being faced with „the black page” - Mach es besonders</image:title>
      <image:caption>#22 LAWRENCE - Lawrence Weiner, 2011 Courtesy: BLACK PAGES</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/630f21d24633822b1b1260c2/49393577-7df8-475a-b585-84f0b56ff034/BARBARA.jpg</image:loc>
      <image:title>kunstund.blog - Being faced with „the black page” - Mach es besonders</image:title>
      <image:caption>#68 BARBARA - Barbara Kapusta, 2016 Courtesy: BLACK PAGES</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/630f21d24633822b1b1260c2/d2492867-e854-4be6-9505-b49c636132aa/TONI-1.jpg</image:loc>
      <image:title>kunstund.blog - Being faced with „the black page” - Mach es besonders</image:title>
      <image:caption>#53 TONI - Toni Schmale, 2014 Vorderseite Courtesy: BLACK PAGES</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/630f21d24633822b1b1260c2/266c6436-5fb8-4dbc-aa6e-8b33718c97d7/TONI-2.jpg</image:loc>
      <image:title>kunstund.blog - Being faced with „the black page” - Mach es besonders</image:title>
      <image:caption>#53 TONI - Toni Schmale, 2014 Rückseite Courtesy: BLACK PAGES</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kunstund.net/blog/ich-versuche-mit-meinen-ausstellungen-eine-art-von-storytelling</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-12-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/630f21d24633822b1b1260c2/7e548820-ffb2-441f-9809-76390cbc5e0b/NINA_TABASSOMI_0005.jpg</image:loc>
      <image:title>kunstund.blog - Ich versuche mit meinen Ausstellungen eine Art von Storytelling - Mach es besonders</image:title>
      <image:caption>Porträt Nina Tabassomi Foto: Günter Kresser</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/630f21d24633822b1b1260c2/d4a420db-7358-49b9-8455-351464826418/elisabeth-von-samsonow-die-zugehorigkeit-zum-sonnensystem-2021-und-polytheismus-2022.jpg</image:loc>
      <image:title>kunstund.blog - Ich versuche mit meinen Ausstellungen eine Art von Storytelling - Mach es besonders</image:title>
      <image:caption>Elisabeth von Samsonow, Die Zugehörigkeit zum Sonnensystem, 2021, Polytheismus, 2022, Ausstellungsansicht Göttinnen, Kunsthalle Tirol 2022 Courtesy: die Künstlerin, Foto: Andreas Leitner</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/630f21d24633822b1b1260c2/a15de5ce-479b-4ceb-bb64-6c6822be36e6/karrabing-film-collective-just-because-you-cant-see-it-2020-4.jpg</image:loc>
      <image:title>kunstund.blog - Ich versuche mit meinen Ausstellungen eine Art von Storytelling - Mach es besonders</image:title>
      <image:caption>Karrabing Film Collective, Just Because you Can’t See it..., 2020 HD-Video, Ausstellungsansicht Göttinnen, Taxispalais Kunsthalle Tirol 2022 Courtesy: das Kollektiv, Foto: Günter Kresser</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/630f21d24633822b1b1260c2/359c2758-41a1-4a61-9fe6-5ecb585a07ae/pauline-curnier-jardin-quun-sang-impur-film-still-2.jpg</image:loc>
      <image:title>kunstund.blog - Ich versuche mit meinen Ausstellungen eine Art von Storytelling - Mach es besonders</image:title>
      <image:caption>Pauline Curnier, Jardin Qu'un sang impur (Film Still), 2019, Ausstellung Hexen, Taxispalais Kunsthalle Tirol 2021 Courtesy: die Künstlerin und Ellen de Bruijne Projects, Amsterdam</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/630f21d24633822b1b1260c2/82e5456d-907d-4c7a-a357-1a1cd47e0089/corita-kent-american-sampler-1969-serigraph-corita-art-center-immaculate-heart-community-los-angeles-photo-arthur-evans.jpg</image:loc>
      <image:title>kunstund.blog - Ich versuche mit meinen Ausstellungen eine Art von Storytelling - Mach es besonders</image:title>
      <image:caption>Corita Kent, american sampler, 1969, Ausstellung Corita Kent: Joyful Revolutionary, Taxispalais Kunsthalle Tirol, 2020 Courtesy: Corita Art Center, Immaculate Heart Community, Los Angeles, Foto: Arthur Evans</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/630f21d24633822b1b1260c2/d23d4d8a-c27f-476c-884a-8f5f8cd618ca/ursula-beiler-kummernuss-performance-im-taxispalais-kunsthalle-tirol-2022-1.jpg</image:loc>
      <image:title>kunstund.blog - Ich versuche mit meinen Ausstellungen eine Art von Storytelling - Mach es besonders</image:title>
      <image:caption>Ursula Beiler, Kummernuss, 2022, Performance Ausstellung Göttinnen, Taxispalais Kunsthalle Tirol 2022 Foto: Günter Kresser</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kunstund.net/blog/der-deutsche-und-der-spanische-pavillon-biennale-venedig-2022</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/630f21d24633822b1b1260c2/833d9e32-a6c8-4c78-88cf-927bafe7bab9/2_DPV_MariaEichhorn.jpg</image:loc>
      <image:title>kunstund.blog - Der Deutsche und der Spanische Pavillon, Biennale Venedig 2022 - Mach es besonders</image:title>
      <image:caption>Maria Eichhorn, Relocating a Structure, Deutscher Pavillon 2022, Detail: Fundament der Gebäuderückwand von 1909; Nahtstelle zwischen den Gebäudeteilen von 1909 und von 1938; Gebäuderückwand von 1909, Innenwand von 1938, 1964 abgerissen; Wandbeschriftungen; Durchgang von 1909 zum rechten Nebenraum, 1912 zugemauert; Untersuchung von Putzschichten; Durchgang von 1909 zum rechten Nebenraum, 1912 zugemauert, 1928 geöffnet, 1938 zugemauert. Ausstellungsansicht © Maria Eichhorn / VG Bild-Kunst, Bonn 2022, Foto: Jens Ziehe</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/630f21d24633822b1b1260c2/dfbaf87b-d52b-4a77-bd7f-8970105c6c27/1_DPV_MariaEichhorn.jpg</image:loc>
      <image:title>kunstund.blog - Der Deutsche und der Spanische Pavillon, Biennale Venedig 2022 - Mach es besonders</image:title>
      <image:caption>Maria Eichhorn, Relocating a Structure, Deutscher Pavillon 2022, Detail: Fundament der Gebäuderückwand von 1909; Gebäuderückwand von 1909, Innenwand von 1938, 1964 abgerissen; Wandbeschriftung; Kamin eines früheren Gebäudes (undatiert); Durchgang von 1909 zum rechten Nebenraum, 1912 zugemauert. Ausstellungsansicht © Maria Eichhorn / VG Bild-Kunst, Bonn 2022, Foto: Jens Ziehe</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/630f21d24633822b1b1260c2/54123539-21c4-4136-887f-3185fd0ec6f5/08-SPANISH+PAVILION_Correccio%CC%81n%2C+Ignasi+Aballi%CC%81%2C+2022.+Photo+Claudio+Franzini.+Cortesi%CC%81a+de+AECID.jpg</image:loc>
      <image:title>kunstund.blog - Der Deutsche und der Spanische Pavillon, Biennale Venedig 2022 - Mach es besonders</image:title>
      <image:caption>Ignazi Aballí, Corrección, 2022, Installationsansicht Spanischer Pavillon Courtesy: AECID, Foto: Claudio Franzini</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/630f21d24633822b1b1260c2/53534cc0-01c5-4270-83ba-a9b798945203/10-SPANISH+PAVILION_Correccio%CC%81n%2C+Ignasi+Aballi%CC%81%2C+2022.+Photo+Claudio+Franzini.+Cortesi%CC%81a+de+AECID.jpg</image:loc>
      <image:title>kunstund.blog - Der Deutsche und der Spanische Pavillon, Biennale Venedig 2022 - Mach es besonders</image:title>
      <image:caption>Ignazi Aballí, Corrección, 2022, Installationsansicht Spanischer Pavillon Courtesy: AECID, Foto: Claudio Franzini</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.kunstund.net/blog/fr-und-wider-die-konstellation</loc>
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